Samotni /Sa mot ář i / Loners

www.samotari.cz
directed by david ondricek 2000

Billy boy

hey billy, break it up, son!
:))
fenx Herman

Cinematic Orchestra Man w/ the Movie Camera 6a

produced by VUFKU in 1929. excerpt from a camera operator's diary.
this film is an experiment in cinematic communication of real events. without the help of intertitles, without the help of a script, without the help of theatre.
this experimental art work aims at creating a truly international language of cinema based on its absolute separation from the language of theatre and literature.

Mighty Boosh - Season 2 Episode 5 Old Gregg 3 of 3

i've got the funk right here, it's in this box. you see the funk is a living creature.it landed on bootsy collins's house. he began to milk the funk, made himself a funk shake and began to feel fizzy inside.
:))

MY ARCHITECT A Son's Journey

The mystery of Louis Kahn's life was as compelling as his buildings. Thirty years after his death, his filmmaker son goes in search of the true Lou with the documentary My Architect.
Was it the sort of film you always knew you were going to make but kept putting off?
No, I kept trying to do it in other ways. I wrote a screenplay about a son who discovers that the father he thought was dead isn't--which of course was always a dream of mine. It sort of reverberates throughout the film. As a little boy, I never quite believed that Lou was gone. I would always look for him in crowds. I'd see a white-haired man turning the corner and think maybe it was him.
One morning fifty boxes of tape arrived. My producers and I went through the film and put it up on reels. And it was like Christmas morning! Now another kind of filmmaker might look for Lou speaking cogently about architecture. But I was interested in the way he moved, the way he walked, the way he talked, the way he looked confused, things that revealed his personality. I couldn't resist using those shots. We use Lou a lot like a ghost. He's someone who appears and then is gone. So for quite a while you see little glimpses of him, which was always the way I saw him. In a way, the film was like conjuring him, bringing him back from the dead for two hours.

They say a work is never really finished, it's abandoned. It was true for Lou. He was constantly drawing, being convinced of it, and the next day realizing he could do it a better way. It drove people nuts. They'd think: "Let's just build the damn thing already!" but he wasn't ready.

www.myarchitectfilm.com

anime

Ergo Proxy

Paranoia Agent - Satoshi Kon

Athar, on the tracks of rimbaud

Un documentaire de Jean-Philippe Perrot
Texte lus par Lambert Wilson
Musique originale : Jean-Baptiste Ayoub

Tchaikovskys 1812 overture

Cover to V For Vendetta. Art by David Lloyd.
The film's story was adapted from an Alan Moore comic originally published between 1982 and 1985 in the British comic anthology Warrior. These comics were later compiled into a graphic novel and published again in the United States under DC's Vertigo imprint and in the United Kingdom under Titan Books. (+wiki)

Viola! In view a humble vaudevillian veteran,

cast vicariously as both victim and villain

by the vicissitudes of fate.

This visage, no mere veneer of vanity,

is it vestige of the vox populi, now vacant, vanished.

However, this valorous visitation of a by-gone

vexation, stands vivified, and has vowed to

vanquish these venal and virulent vermin

vanguarding vice and vouchsafing the violently vicious

and voracious violation of volition.

The only verdict is vengeance; a vendetta,

held as a votive, not in vain, for the value

and veracity of such shall one day

vindicate the vigilant and the virtuous.

Verily, this vichyssoise of verbiage veers

most verbose, so let me simply add that

it's my very good honor to meet you

and you may call me V.

On 30 September 2006, Antony Gormley's Waste Man was burned to the ground in front of an audience of thousands in the seaside town of Margate. Constructed entirely of the detritus of modern consumer society – planks of wood, tables, chairs, keyboards, paintings, dartboards, a front door, toilet seats - the 25m high man took over four weeks to construct by Gormley, his assistant, a team of professional riggers and a small army of enthusiastic volunteers from Margate. The building and burning of the Waste Man will form a definitive part of Penny Woolcock's epic film, Exodus, a modern retelling of the biblical story of Exodus exploring themes of identity, migration and great movements of people across the globe.

Waste Man, filmed and directed by Caroline Deeds, follows the building of Gormley’s creation and explores the relationship between this small seaside community and the building of a work from an internationally acclaimed artist.

Artangel Media

exchanging silent how-do-you-do's

1973 scenography. toma&elena caragiu

Christian Volckman's vision of 2054 Paris in Renaissance (via flo')

HIDDEN INSIDE MOUNTAINS

HIDDEN INSIDE MOUNTAINS is a film of short stories about nature, artifice and dreams. Located in a fictitious world of theatrical spaces, the stories unfold through music, gesture, text and the poetry of visual images. The film’s haunting music features violins, bells, dog barks and melody as well as Anderson’s signature electronic sounds. Both joy and loss are caught in this film in Japanese and English. Running time is 25 minutes.

Despre norocul de a avea doua sotii

Un seic avea cel mai mare noroc de pe pamant: avea doua sotii. Simtindu-se nespus de fericit, se duse la bazar si cumpara doua coliere de aur identice, pe care le darui sotiilor sale, dupa ce petrecuse cateva ore fericite cu ele. Singura conditie era ca fiecare sotie sa promita sa nu-i spuna celeilalte. Dar nici o bucurie pamanteasca nu ramane netulburata. Intr-o zi, sotiile, starnite de rivalitate si gelozie, venira la el si il bombardara cu intrebari. "Spune-ne, cel mai splendid dintre barbati, pe care dintre noi o placi mai mult?"
"Dragele mele, va iubesc pe amandoua mai mult decat orice", se apara seicul impaciuitor.
"Nu, nu, protestara femeile, vrem sa stim de la tine care dintre noi primeste mai mult din dragostea ta."
"Dar, favoritele mele, de ce tineti sa fiti nemultumite? Va am pe amandoua in inima mea." Dar femeile nu erau multumite cu atat.
"Nu scapi de noi. Haide, vorbeste. Cine este regina inimii tale?"
Fiindca nu se mai putea supune intrbarilor insuportabile ale sotiilor sale, isi cobori vocea promitator si sopti: "Daca trebuie neaparat sa stiti, va voi spune adevarul. Cea pe care o iubesc cel mai mult, este cea careia i-am dat lantisorul de aur." Ambele femei se uitara una la cealalta victorios si fura multumite.

povesti orientale ca instrumente de psihoterapie - nossrat peseschkian (poveste persana citita de un stimabil domn profesor care mi-a mai recomandat: cantecul pasarii; rugaciunea broastei; absurditati la minut - anthony de mello)

despre bucuria de a nu fi sotie
"Happiness cosists of being able to tell the truth without hurting anyone " Guido in Felini's 8 1/2

Al di là delle nuvole (1995)
Antonioni & Wenders

"towards the true image of that absolute and mysterious reality that nobody will ever see"

Antonioni

Chronicle of a Love that Never Was

The Girl, the Crime

Don't Try to See Me Again

This Body of Mud

“Le parole fanno bene anche scritte. Una donna gli aspetta. Gli aspetta sempre.”